Adejoke Tugbiyele Hybrid Forms and Second Skins | Decorating Dissidence

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04 Apr 2020

Adejoke Tugbiyele (b.1977, New York, USA) is an award-winning, queer, black artist. Her work often comments on human rights issues around the world, and her own identity as a queer woman of Nigerian descent. She currently lives in Brooklyn, New York where she continues to make artwork and engage in advocacy projects.

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Tugbiyele describes her practice as ‘hybrid’; reflected in both her approach to making and the physical forms that manifest in many of her works. On one hand, her practice is multidisciplinary; continuously ‘presenting alternative forms of expression that can be universally understood’. On the other, hybrid forms quite literally appear in a myriad of Tugbiyele’s drawings, sculpture and performance works. She explains: ‘Hybridity frees the mind from the boundaries and limitations of gender and sexuality, and from the human body in general. It takes us into the spiritual realm, where we can begin to imagine new ways of perceiving and being in the world. Hybridity also makes us more aware of the two-spirit nature of humans and therefore the potential ability to tap into different energies, spontaneously’. Sculptures such as ‘Drama’ (2018) play with the juxtapositions between natural and man-made objects, with (often androgynous) ‘bodily’ features such as the use of oil funnels for breasts, or gas pumps for hands, which are interwoven into a contorted, twisting form...Click to continue reading

 

Author: Adejoke Tugbiyele (she/her), Daniel Fountain (he/they)

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